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Praised for her “beautiful, limpid quality (Theatre Jones)“ and "angelic singing (Reading Eagle),” Erin Alcorn is a soprano originally from Dallas, Texas. Recently she appeared as the soprano soloist in Handel's Messiah with the University of Findlay and Bluffton University under the baton of SeaHwa Jung. 

As part of her doctoral research, Erin partnered with the University of Cincinnati (UC), UC Digital Futures, and Cincinnati Song Initiative to produce an art song performance in virtual reality (VR). For this project, she won Third Place in the UC Three-Minute Dissertation Competition and was awarded a CCMPower grant. This will be the first time VR has been applied to the art song genre. During the COVID-19 pandemic, Erin worked on one of the world's first VR operas, covering the role of Miranda in Miranda: A Steampunk VR Experience (Sankaram), which sparked her deep interest in digital performance. Her doctoral research is titled "Reimagining ArtSong: A New Era of Audience Engagement Through VR." The performance will be published online in summer 2025.

Erin has performed in roles and ensembles with Cincinnati Opera, Queen City Opera, The Dallas Opera and Orchestra, Opera Philadelphia, Tri-Cities Opera, and Music Academy of the West among others.

 

As a recitalist and soloist, she has appeared with The Song Continues at Carnegie Hall, the Greater Dallas Choral Society (formally Children’s Chorus of Greater Dallas) at the Meyerson Symphony Center in Dallas, Cincinnati Song Initiative, LYNX Ensemble, CCM Wind Symphony, Dayton Bach Society, Music Academy of the West, Dallas Puccini Society, Voces Intimae: The art of Song, Northern Kentucky Community Chorus, Reading Choral Society, Pennsbury Community Chorus, Oberlin Contemporary Music Ensemble, and the University of North Texas (UNT) Symphony Orchestra.

In Cincinnati Opera's 2022 Summer Festival, Erin covered the role of Musetta in La bohème. Other operatic roles include: Miss Lightfoot in Fellow Travelers (Spears), Adina in The Elixir of Love (Donizetti), Francine in Monkey and Francine in the City of Tigers (Sankaram), Susanna in Le nozze di Figaro (Mozart), Zerlina in Don Giovanni (Mozart), Papagena, Pamina, and Second Spirit in Die Zauberflöte (Mozart), La Bergère in L’enfant et les sortileges (Ravel’s), and Casilda in The Gondoliers (Gilbert and Sullivan). In the 2020-2021 season, Erin was to make her Tri-Cities Opera debut as Susanna in Le nozze di Figaro (Mozart), Justice Ruth Bader Ginsburg in Scalia/ Ginsburg (Wang), and Clorinda in La cenerentola (Rossini), but all were canceled due to the pandemic.

Erin is currently working towards a Doctorate of Musical Arts in Vocal Performance and Pedagogy at the University of Cincinnati College Conservatory of Music (CCM). She holds a Bachelor of Music in Vocal Performance from the Oberlin Conservatory of Music and a Master of Music from the University of North Texas.

Reviews

"Vaughan Williams' stunning Dona Nobis Pacem (1936) opened with angelic soprano Erin Alcorn's 'Agnus Dei'...

The final 'Angel of Death,' the horrifying orchestral followup...

gave way to Alcorn's ray of light..."

- Susan L. Pena, The Reading Eagle, Pennsylvania

"... a lyric soprano with a beautiful limpid quality...
she was able to call on her musical comedy experience because of the composer’s incorporation of many different musical styles."

- Gregory Sullivan Isaacs, Theater Jones

"Ms. Alcorn used her voice brilliantly and performed with ardent expression. It was a persuasive performance... 

her instrument is clearly made for Strauss..."

- Meche Kroop, Voce di Meche

"This year’s crop of [artists in The Song Continues at Carnegie Hall] was outstanding: Sopranos Erin Alcorn, Dorothy Gal, Caitleen Kahn, Brittany Nickell, Alexandre Smither and Anne Wright..." 
-Fred Plotkin, WQXR

"Soprano Erin Alcorn sang expressively..."

- Scott Cantrell, Dallas Morning News

 

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